About This Event
Doors Open:11:00 PM
Show Time:11:00 PM
The Freedom Party NYC is New York City’s longest running weekly Friday night dance party. Recently the winner of Paper Magazine’s highly coveted award for “Best Party of 2012 (People’s Choice),” and runner up in URB Magazine’s “Best Party of 2012″ (a nationwide award). Freedom was created in 2002 by Herbert Holler, DJ Cosi, and Marc Smooth. Their mission was to bring music back to the forefront of nightlife, and to provide a weekly home for people from all walks of life to dance and be free at, regardless of who you know, what you wear, or how much money you make. Playing an incredibly tight mix of danceable hits from the 60s through today, including hip-hop, R&B, rock, reggae, soul, new wave, house music, salsa, merengue, electro, afrobeat, and more, The Freedom Party continues to fill the dance floor each week with people from all over the globe.
GUEST LIST (get on it by going to www.freedomdanceparty.com)
ladies free before 12am, $10 all night after
fellas $10 before 2am, $15 after
ladies $15, guys $20
This is a general admission, standing event.
Nu-Mark began DJing at the age of 13 in Los Angeles. Over the course of the last two decades, he has amassed a collection of over 35,000 records and refined his production skills and performance to the point where he is widely recognized as one of the key figures in DJ culture.
As a member of the critically acclaimed, gold-selling Hip-Hop outfit, Jurassic 5, DJ Nu-Mark graced the group with precision production and cutting edge stage routines. Best known for his production on the raw anthem “What’s Golden” such creativity only hinted at the visionary creativity Nu-Mark has explored since Jurassic 5’s breakup in 2006.
To date, Nu-Mark has been featured in the critically acclaimed documentaries “Scratch”, “KeepinTime”, “Coachella: The Movie,” “Rock the Bells – The Documentary” and most recently in Mac Grubber. He’s also appeared on countless TV Shows with J5, including David Letterman, Conan O’Brien, Jimmy Kimmel and Craig Ferguson.
Nu-Mark introduced himself as a solo artist in 2004 with Blend Crafters, an instrumental album created in the spirit of allowing beats to speak for themselves and Hands On, a mix CD that featured Mc’s rhyming in different languages from around the world.
Today Nu-Mark experiments with children’s music toys and constructs full DJ sets around toys most people dispose of by the time their kids are old enough to read. He has toured the world, remixed songs for Nas and Damian Marley, created songs for Saturday Night Live’s Lonely Island and constructed the Tropical Funk Mix “Take Me With You,” a breathtaking blend of Latin, Afro-Beat and Balkan Beat. Most significantly, after more than three years of brainstorming, experimenting and collaborating, he has finished his debut solo album Broken Sunlight, which reveals his influences and innovations into a jaw dropping collection of heart felt music.
“A lot of things in my life were broken, my group broke up, my long term relationship broke up, the music industry and economy seemed to be broken so It was time for me to take a break” Nu-Mark explains. “That’s where the title of the record stems from. It’s not so much I’m broken. I’m moving towards the sunlight these days. It’s more like a tale of perseverance and forging ahead through tough times.”
“When I was little, I had problems sleeping. I wasn’t putting myself to bed ever, really. My parents tried everything in the book to get me out, but nothing worked. One night, my dad was at the bar doing his funny dance to Survivor’s “Eye of the Tiger,” and I asked him to pick me up. Less than five minutes later, I was out. Every night thereafter, he slung me over his shoulder just before bedtime and danced me to sleep—to Queen, Styx, Chicago, Meatloaf and lots and lots of Electric Light Orchestra.
ELO was our personal favorite. I ended up memorizing every word to every song off “Out of the Blue.” Anytime we were in his Honda Accord ’87, that 8-track went in. My mom had her input, too. Mostly Billy Joel, Tom Jones, maybe some Diana Ross. She tried singing me to sleep some nights, but “Why Do Fools Fall in Love” doesn’t really set the mood for deep slumber. She gave me my very first piece of vinyl—1966’s “The Best of the Beach Boys.” After the needle gave up trying to stick to that record, she handed me the soundtrack to “Hair.” When the day finally came for me to start learning the value of a dollar and buy my own music, the first tape I went out and purchased was…Run DMC’s “Raising Hell.”
How I got from 70s operatic rock, surf ditties, and Broadway musicals to hip-hop, I’ll never know. But that diversity has stuck with me through this day. Just when I pledge allegiance to some new rap artist, I’m a bloodthirsty digger searching for a new, synthetic electronic sound I heard on satellite radio or on somebody’s blog. And then I’m back frantically Googling a soul or disco sample I recognized from an old tune, or putting the finishing touches on a Dubstep mix I took way too much time obsessing over, or re-organizing my playlists so I know the difference between bounce, trap and an old dirty-South anthem.
The question of how I ended up spending half my waking hours in a nightclub is easy: I practically grew up in one. Again, my father’s to blame. He used to be the Food & Beverage Manager at Resorts Casino Hotel in Atlantic City, NJ, my hometown. I clocked in more hours at that place than some of the people on payroll. And this was the 80s, mind you, when the casino strip was as glamorous as ever: fur coats, pearl necklaces, big Cadillacs and Liberace (who I saw live…many times). The lights, the sounds, the electricity in the air, even the smells…these things never left.
Nor has my penchant for making people smile. In grade school I brought class clown to a new level. It cost me my grades, and also led to a few suspensions. But there was nothing I enjoyed more than leaving my classmates in stitches. Sometimes, even the teacher had to take a second to regain composure. I thought maybe I’d make a good Psychologist, helping people smile, so I went Premed at NYU, till I realized the night before classes started that I’d have to sit still and study a lot. (Hence the B.A..) Naturally, I tried my hand at comedy, but I couldn’t afford to be broke, and I was already getting gigs and discovering my knack for making dance floors pop. So, it was settled. I was to be a professional DJ.
Today, my career is in its 11 about every lounge, bar and dance club from Wall Street to 125 with a growing list of high-profile clients and world-renown artists, have held residences and guest spots across the globe, and claim ownership of the longest running weekly Friday-night party in NYC history: The Freedom Dance Party. After years of hard work, dedication and professionalism, my name and reputation as a DJ in the music and entertainment industry precedes itself. And though I don’t get to play nearly as much ELO at the gigs as I’d like to, and 8-track tapes (and Liberace) are long gone, my love for the music, the night, and for making people smile are still here.” – Herbert Holler
To contact Herbert Holler, send an email to firstname.lastname@example.org.
Cosi gets down not just for the funk of it, but for the love of it. He spins music like no other DJ on the planet and that is why New York is proud to claim him as one of its own. He spins because nothing else is quite as satisfying. “I play a mix of 70 & 80s R&B classics, funk, 80’s pop, hip-hop, reggae, afro-beat and house music,” Cosi explains. “I have a knack for knowing what people want to hear from just reading the crowd. When I play it, they dance. That’s the best feeling.” The feeling continues, even into his 15th year of spinning, as one of the few DJs who has truly mastered his art. He seamlessly blends several, if not all, of these genres throughout the evening, flawlessly moving the minds and bodies of those in the audience, making him one of the most sought-after DJs in New York City. If you’ve been to one of the myriad parties where Cosi has played, you’d know this experience first hand. Quite simply, his talent touches your soul. Tastemakers at Nike, The Gap, Brooks Brothers, MOMA, Hugo Boss, Timberland, Vibe Magazine, Phat Farm, The Chris Rock Show, Pepsi, The Magic Johnson Foundation, Enyce, Yves Saint Laurent, The National Basketball Players’ Association, The Fader Magazine, the Hudson Hotel, the W Hotel and many others have experienced this first-hand. He has held weekly’s at nightclubs such as Nell’s, Cheetah, Justin’s, APT, Lotus, NV, Float, Metronome, Discotheque, Joe’s Pub, Martinez Gallery, Mission, BLVD, and Café Deville (just to mention a few). All have hired Cosi to set the mood and create the energy for the night. He has created the perfect vibe for parties in a number of cities throughout the U.S. (from New York to Las Vegas to Puerto Rico) and internationally (Mexico, Bahamas, Anguilla to name a few). Cosi has even spun for former President Bill Clinton in the Hamptons! Here’s your chance to dance your way out of your constrictions.