About This Event
Doors Open:11:00 PM
Show Time:11:00 PM
This Friday, NYC’s #1 longest running Friday night weekly party welcomes “Slick Rick the Ruler” as he celebrates his Birthday with us!
Join us as Hip Hop’s favorite Story teller graces the stage and rocks a few joints from his catalogue.
**$15 advance tickets available, click ‘buy now’**
In the main room we have DJ Cosi, Herbert Holler & Marc Smooth spinning classic rap/classic r&b/classic reggae/classic house/classic rock/60s/70s/80s/90s/underground dance
Also happening, in our special Reggae Room, we welcome back our favorite Reggae Crew Max Glazer, DJ Gravy and Micro Don of “Rice & Peas Crew”
The night is hosted by Savior El Mundo
Want to hang out with Slick Rick in VIP? Reserve a table by visiting our website at www.freedomdanceparty.com. You still need to purchase your ticket for admission.
Questions? Contact us at 917-543-9749 or firstname.lastname@example.org
This is a general admission, standing event.
Slick Rick is like a hip-hop holy trinity displaying three Ricky’s in one body: lyricist, producer, and actor. Whereas many rappers speak in the same tone of voice (or become part of a vocal team that explores their diversity i.e., Digital Underground), Ricky is an aural dramatist – like in the days of early radio shows – who invades the soul of his characters, speaking in their voices, with a vocal repertoire that includes little children, jealous boyfriends, grandmothers, police officers and detectives to name a few.
In short, there’s nothing like the Slick Rick Experience. Every album is a parallel universe where old-time radio and urban culture collide. Aural theater merges with ghetto fantasy. Rick becomes a character actor with voice-throwing chops a ventriloquist would envy and narrative powers greater than Stephen King. In theory, it all seems preposterous – impossible to pull off. But because Rick has such a genuine gift on the mic – dexterity, cleverness, wit, articulation, fluidity – it works like gangbusters.
Going forward, there is much to celebrate. On May 23, 2008, 18 years after pleading guilty in a New York State Court, New York governor David Paterson granted Slick Rick a full pardon. In essence, the esteemed governor closed a dark chapter in the Book of Slick Rick. Now hope springs eternal. A direct quote from Governor Paterson’s official statement:
“Mr. Walters has fully served the sentence imposed upon him for his convictions, had an exemplary disciplinary record while in prison and on parole, and has been living without incident in the community for more than 10 years. In that time, he has volunteered at youth outreach programs to counsel youth against violence, and has become a symbol of rehabilitation for many young people.”
It’s high time this founding father of hip-hop — this mastermind of modulation, meter and tone — receive the accolades he so richly deserves. Always impeccably attired, there are no other rappers who can touch his style. He carries commercial and cultural clout as well. His influence cannot be overstated. More than any other rapper, he’s been sampled, quoted, loved, and emulated by each generation that has followed him.
Hip-hop is about life and truth, and Slick Rick is successful because he is truly a great storyteller in the timeless tradition…
“When I was little, I had problems sleeping. I wasn’t putting myself to bed ever, really. My parents tried everything in the book to get me out, but nothing worked. One night, my dad was at the bar doing his funny dance to Survivor’s “Eye of the Tiger,” and I asked him to pick me up. Less than five minutes later, I was out. Every night thereafter, he slung me over his shoulder just before bedtime and danced me to sleep—to Queen, Styx, Chicago, Meatloaf and lots and lots of Electric Light Orchestra.
ELO was our personal favorite. I ended up memorizing every word to every song off “Out of the Blue.” Anytime we were in his Honda Accord ’87, that 8-track went in. My mom had her input, too. Mostly Billy Joel, Tom Jones, maybe some Diana Ross. She tried singing me to sleep some nights, but “Why Do Fools Fall in Love” doesn’t really set the mood for deep slumber. She gave me my very first piece of vinyl—1966’s “The Best of the Beach Boys.” After the needle gave up trying to stick to that record, she handed me the soundtrack to “Hair.” When the day finally came for me to start learning the value of a dollar and buy my own music, the first tape I went out and purchased was…Run DMC’s “Raising Hell.”
How I got from 70s operatic rock, surf ditties, and Broadway musicals to hip-hop, I’ll never know. But that diversity has stuck with me through this day. Just when I pledge allegiance to some new rap artist, I’m a bloodthirsty digger searching for a new, synthetic electronic sound I heard on satellite radio or on somebody’s blog. And then I’m back frantically Googling a soul or disco sample I recognized from an old tune, or putting the finishing touches on a Dubstep mix I took way too much time obsessing over, or re-organizing my playlists so I know the difference between bounce, trap and an old dirty-South anthem.
The question of how I ended up spending half my waking hours in a nightclub is easy: I practically grew up in one. Again, my father’s to blame. He used to be the Food & Beverage Manager at Resorts Casino Hotel in Atlantic City, NJ, my hometown. I clocked in more hours at that place than some of the people on payroll. And this was the 80s, mind you, when the casino strip was as glamorous as ever: fur coats, pearl necklaces, big Cadillacs and Liberace (who I saw live…many times). The lights, the sounds, the electricity in the air, even the smells…these things never left.
Nor has my penchant for making people smile. In grade school I brought class clown to a new level. It cost me my grades, and also led to a few suspensions. But there was nothing I enjoyed more than leaving my classmates in stitches. Sometimes, even the teacher had to take a second to regain composure. I thought maybe I’d make a good Psychologist, helping people smile, so I went Premed at NYU, till I realized the night before classes started that I’d have to sit still and study a lot. (Hence the B.A..) Naturally, I tried my hand at comedy, but I couldn’t afford to be broke, and I was already getting gigs and discovering my knack for making dance floors pop. So, it was settled. I was to be a professional DJ.
Today, my career is in its 11 about every lounge, bar and dance club from Wall Street to 125 with a growing list of high-profile clients and world-renown artists, have held residences and guest spots across the globe, and claim ownership of the longest running weekly Friday-night party in NYC history: The Freedom Dance Party. After years of hard work, dedication and professionalism, my name and reputation as a DJ in the music and entertainment industry precedes itself. And though I don’t get to play nearly as much ELO at the gigs as I’d like to, and 8-track tapes (and Liberace) are long gone, my love for the music, the night, and for making people smile are still here.” – Herbert Holler
To contact Herbert Holler, send an email to email@example.com.
Cosi gets down not just for the funk of it, but for the love of it. He spins music like no other DJ on the planet and that is why New York is proud to claim him as one of its own. He spins because nothing else is quite as satisfying. “I play a mix of 70 & 80s R&B classics, funk, 80’s pop, hip-hop, reggae, afro-beat and house music,” Cosi explains. “I have a knack for knowing what people want to hear from just reading the crowd. When I play it, they dance. That’s the best feeling.” The feeling continues, even into his 15th year of spinning, as one of the few DJs who has truly mastered his art. He seamlessly blends several, if not all, of these genres throughout the evening, flawlessly moving the minds and bodies of those in the audience, making him one of the most sought-after DJs in New York City. If you’ve been to one of the myriad parties where Cosi has played, you’d know this experience first hand. Quite simply, his talent touches your soul. Tastemakers at Nike, The Gap, Brooks Brothers, MOMA, Hugo Boss, Timberland, Vibe Magazine, Phat Farm, The Chris Rock Show, Pepsi, The Magic Johnson Foundation, Enyce, Yves Saint Laurent, The National Basketball Players’ Association, The Fader Magazine, the Hudson Hotel, the W Hotel and many others have experienced this first-hand. He has held weekly’s at nightclubs such as Nell’s, Cheetah, Justin’s, APT, Lotus, NV, Float, Metronome, Discotheque, Joe’s Pub, Martinez Gallery, Mission, BLVD, and Café Deville (just to mention a few). All have hired Cosi to set the mood and create the energy for the night. He has created the perfect vibe for parties in a number of cities throughout the U.S. (from New York to Las Vegas to Puerto Rico) and internationally (Mexico, Bahamas, Anguilla to name a few). Cosi has even spun for former President Bill Clinton in the Hamptons! Here’s your chance to dance your way out of your constrictions.