About This Event
Minimum Age:All Ages
Doors Open:6:30 PM
Show Time:7:30 PM
An event within Meredith Monk’s Debs Composer Chair Residency at Carnegie Hall
Seated: $20 advance, $25 day of show
Standing: $15 advance, $20 day of show
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Meredith Monk (b. November 20, 1942, New York, NY) is a composer, singer, director/choreographer and creator of new opera, music-theater works, films and installations. A pioneer in what is now called “extended vocal technique” and “interdisciplinary performance,” Monk creates works that thrive at the intersection of music and movement, image and object, light and sound in an effort to discover and weave together new modes of perception. Her groundbreaking exploration of the voice as an instrument, as an eloquent language in and of itself, expands the boundaries of musical composition, creating landscapes of sound that unearth feelings, energies, and memories for which there are no words. Over the last five decades, she has been hailed as “a magician of the voice” and “one of America’s coolest composers”. Celebrated internationally, Monk’s work has been presented by BAM, Lincoln Center Festival, Houston Grand Opera, London’s Barbican Centre, and at major venues in countries from Brazil to Syria. Among her many accolades, she was named 2012 Composer of the Year by Musical America and one of NPR’s 50 Great Voices, and received New Music USA’s 2013 Founders Award, a 2011 Yoko Ono Lennon Courage Award for the Arts and a 2012 Doris Duke Artist Award.
In 1968 Ms. Monk founded The House, a company dedicated to an interdisciplinary approach to performance. In 1978 she founded Meredith Monk & Vocal Ensemble to expand her musical textures and forms. As a pioneer in site-specific performance, she has created such works as Juice: A Theatre Cantata In 3 Installments (1969) and Ascension Variations (2009) for the Guggenheim Museum, and American Archeology #1: Roosevelt Island (1994). Monk’s award-winning films, including Ellis Island (1981) and her first feature, Book of Days (1988), have been seen throughout the world. Her music can also be heard in films by such directors as Jean-Luc Godard and the Coen Brothers. In addition to her numerous vocal pieces, music-theater works and operas, Monk has created vital new repertoire for orchestra, chamber ensembles, and solo instruments, with commissions from Michael Tilson Thomas/San Francisco Symphony and New World Symphony, Kronos Quartet, Saint Louis Symphony Orchestra and Los Angeles Master Chorale, among others.
Since graduating Sarah Lawrence College in 1964, Monk has received numerous honors including the prestigious MacArthur “Genius” Award, two Guggenheim Fellowships, three “Obies” (including an award for Sustained Achievement), and two “Bessie” awards for Sustained Creative Achievement. She holds honorary Doctor of Arts degrees from Bard College, the University of the Arts, The Juilliard School, the San Francisco Art Institute and the Boston Conservatory. Monk has made more than a dozen recordings, most of which are on the ECM New Series label, including the 2008 Grammy-nominated impermanence and the highly acclaimed Songs of Ascension. She recently celebrated ten years working with the publisher Boosey & Hawkes.
In October 1999 Monk performed A Vocal Offering for His Holiness, the Dalai Lama as part of the World Festival of Sacred Music in Los Angeles. Her 40th year of performing and creating new music was celebrated in 2005 by a four-hour marathon at Carnegie’s Zankel Hall, with additional performances throughout New York City. In February 2012 she was honored with a remix and interpretations cd, MONK MIX, featuring 25 artists from the jazz, pop, dj and new music worlds. In March 2012, she premiered Realm Variations for six voices and small ensemble, commissioned by the San Francisco Symphony, and performed in John Cage’s Song Books as part of the Symphony’s American Mavericks Festival. Performances of Song Books and Cage’s Aria were recently revived with the New World Symphony in Miami. Monk’s newest music-theater piece, On Behalf of Nature, premiered in January at UCLA and will tour to the Edinburgh International Festival later this year.
Pianist Ursula Oppens, one of the very first artists to grasp the importance of programming traditional and contemporary works in equal measure, has won a singular place in the hearts of her public, critics, and colleagues alike. Her sterling musicianship, uncanny understanding of the composer’s artistic argument, and lifelong study of the keyboard’s resources, have placed her among the elect of performing musicians.
During the 2013/2014 season she will perform Rzewski’s The People United Will Never Be Defeated for the Fundação Osesp in São Paulo, return to Portugal in a recital honoring Elliot Carter at the Festival of the Azores, and perform in recital at Shenendoah University. She performs twice at the Library of Congress this season first in a program with the JACK Quartet featuring quintets by Adés and Carter, and later in a concert celebrating works commissioned by the Koussevitsky Foundation, and will premiere a new work by Tania Léon with the Cassatt Quartet at Symphony Space.
In 2008, she celebrated the 100th birthday of her friend and colleague, Elliott Carter, with critically acclaimed performances of his complete works for solo piano at the Boston Conservatory of Music, Symphony Space, the Ravinia Festival, Merkin Hall, the Tanglewood Festival and elsewhere leading up to her Grammy nominated recording of his works.
Driven by an enduring commitment to integrating new music into regular concert life, Ms. Oppens has commissioned and premiered many compositions, including works by Anthony Braxton, Elliott Carter, Anthony Davis, John Harbison, Julius Hemphill, Laura Kaminksy, Tania Léon, György Ligeti, Witold Lutoslawski, Conlon Nancarrow, Tobias Picker, Frederic Rzewski, Alvin Singleton, Joan Tower, Christian Wolff, Amnon Wolman, and Charles Wuorinen.
Ursula Oppens studied piano with her mother, the late Edith Oppens, as well as with Leonard Shure and Guido Agosti. She received her master’s degree at The Juilliard School, where she studied with Felix Galimir and Rosina Lhévinne. After 14 years as the John Evans Distinguished Professor of Music at Northwestern University, Ms. Oppens is now a Distinguished Professor on the faculty of the Conservatory of Music at Brooklyn College and the CUNY Graduate Center.
A co-founder of Speculum Musicae, Ms. Oppens has an extensive recording catalogue and has received four Grammy nominations: Winging It, music of John Corigliano; Oppens plays Carter; for her Vanguard recording of Frederic Rzewski’s The People United Will Never Be Defeated; and for American Piano Music of Our Time, a classic compilation of piano works by 20th century American composers for the Music & Arts label.
Ursula Oppens at Colbert Artists
Photo credit: Christian Steiner / J. Sherman
In live performances from the Hollywood Bowl to New York’s Le Poisson Rouge, from Paris to Hong Kong, and in recordings for ECM, Bedroom Community, and Arabesque — Bruce Brubaker is the new musician, visionary virtuoso, artistic provocateur. Named “Young Musician of the Year” by Musical America, Bruce Brubaker performs Mozart with the Los Angeles Philharmonic, and plays Philip Glass’s piano music around the world. Profiled on NBC’s Today show, Brubaker has performed with Meredith Monk, Nico Muhly, Lorraine Hunt, and John Cage. Brubaker is featured on Nico Muhly’s recording Drones.
Bruce Brubaker official site
Bruce Brubaker on Twitter