About This Event
Doors Open:6:00 PM
Show Time:7:00 PM
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
This event will be streamed live online through LPR’s streaming channel, beginning at 7pm.
The Littlest Prisoner, the latest from critically-hailed singer, violinist, composer and arranger Jenny Scheinman, will be released May 6 on Sony Masterworks. Her eighth studio album, The Littlest Prisoner follows Scheinman’s 2012 release Mischief & Mayhem, which All About Jazz called “a near-flawless package of musical craftsmanship.” Scheinman, whom The New York Times has called “full of playful ideas” and “a soulful, generous improviser,” will play several upcoming dates with Ani DiFranco.
Mixed by Grammy-nominated producer, Tucker Martine (The Decemberists, Neko Case, My Morning Jacket and Sufjan Stevens), the album was recorded in just three days of studio tracking in Martine’s Flora Studio in Portland, Oregon.
Of the album, Scheinman says that she “had always imagined that this album would have a sort of Buddy Miller acoustic Americana sound,” however, “as fate would have it I ended up bringing the material into the ethereal, moody, stripped down world of my trio with Bill Frisell and Brian Blade. This added a sense of newness, risk and adventure to the process, which was extremely exciting.”
As for the lyrics, Scheinman says “I attempted to look directly at love and all its ugly beauty through the eyes of mothers, inmates, wives, artists, and children. What amazes me about the album is that all the tough stuff of life is stuck in the middle of such a beautiful band sound.”
In addition to her eight solo records, Scheinman has collaborated with Rodney Crowell, Norah Jones, Bill Frisell, Bruce Cockburn, Madeleine Peyroux, Todd Sickafoose, Nels Cline and many others. She has also earned great acclaim for her high-profile arrangements for artists like Lucinda Williams, Bono, Lou Reed, Metallica and Sean Lennon.
Jenny Scheinman official site
Guitar master-explorer NELS CLINE should need no introduction having held the guitar seat in Wilco for nearly nine years and counting. Combining breathtaking technique with an informed musical intelligence, the self-taught Cline displays a mastery of guitar expression that encompasses delicate lyricism, sonic abstractions, and skull-crunching flights of fancy, inspiring Jazz Times to call him “The World’s Most Dangerous Guitarist.” His recording and performing career – spanning jazz, rock, punk, and experimental – is well into its fourth decade, with over 130 recordings, including at least 30 for which he is leader. Born in Los Angeles in 1956, Cline has received many accolades including Rolling Stone anointing him as both one of 20 “new guitar gods” and one of the top 100 guitarists of all time.
Beyond Wilco, he leads The Nels Cline Singers (featuring Scott Amendola and bassist Trevor Dunn), Fig (a collaboration with Yuka Honda), and a new duo project with former child prodigy Julian Lage. Some of the musicians with whom he has performed and/or recorded include: Ramblin’ Jack Elliot, Tim Berne, Jim Black, Yoko Ono, Alex Cline, Mike Watt, Carla Bozulich, Vinny Golia, Marc Ribot, Bill Frisell, Julius Hemphill, Charlie Haden, Wadada Leo Smith, Lydia Lunch and Thurston Moore.
photo credit Yuka C. Honda
Jim Black is at the forefront of a new generation of musicians bringing jazz into the 21st century. In addition to being one of the most influential drummers of our time, he is also the leader of one of the world’s most forward-thinking bands, AlasNoAxis, featuring his longtime collaborators Chris Speed, Hilmar Jensson and Skúli Sverrisson. Based on the foundation of his virtuosic but highly personal approach to jazz drumming, Black’s aesthetic has expanded to include Balkan rhythms, rock songcraft and laptop soundscapes. Though he is revered worldwide for his limitless technique and futuristic concepts, what many listeners treasure in most Jim Black’s work is the relentless feeling of joy and invention he brings to his performances. Jim Black’s smiling, kinetic, unpredictable presence has enthralled and inspired audiences worldwide for over twenty years.
Jim Black official site
A Bay Area native, Sickafoose spent some years in Los Angeles studying bass with Charlie Haden and composition with the great, late Mel Powell. Since then, he’s been recording and performing with a ton of innovative folks and genre benders including Ani DiFranco, Andrew Bird, Nels Cline, Jenny Scheinman, Ron Miles, Trey Anastasio, Yoko Ono, Myra Melford, Tin Hat Trio, Adam Levy, Skerik, Allison Miller, Stanton Moore, Bobby Previte, Scott Amendola, Will Bernard, Stebmo, Jessica Lurie, Shane Endsley, Erin McKeown, Anaïs Mitchell, Gina Leishman, Carla Bozulich, Noe Venable, Etienne de Rocher, James Carney, Erik Deutsch, Tony Furtado, and Darol Anger.
The consistency of his personal voice within wildly diverse collaborations prompted the LA Weekly in 2004 to call Todd “one of the most comprehensive musical minds of this coast”. Since 2005, Todd has been living in Brooklyn, NY.
Todd Sickafoose official site
Following his Grammy-nominated 2009 debut Sounding Point, virtuoso guitarist Julian Lage returns with the evocative and finely wrought Gladwell – the second effort by his offbeat, eclectic group with cellist Aristides Rivas, percussionist Tupac Mantilla, bassist Jorge Roeder and saxophonist Dan Blake.
The album unfolds according to a fanciful and story-driven plan, as Lage explains: “We began playing with the idea of creating a story we could use as a guiding light in our writing process…. The result was the development of an imaginary and forgotten town known as Gladwell…. As a metaphor, Gladwell presented us with a clear architecture, to compose songs that evoke feelings of people and places we hold dear.”
Sweeping, colorful and thrillingly executed, the album opens with “233 Butler,” named for the Brooklyn street address of vintage instrument shop, Musurgia. Here and throughout, Lage showcases his group’s highly developed rapport and varied, refreshing approach to orchestration, with originals pieces that bring to life the fictional sights and sounds of Gladwell: the train station (“Listening Walk”), the church (“Cocoon,” featuring Blake on melodica – channeling sounds that could be likened to the artsy streets of Paris), the bazaar (“Iowa Taken”). “Some songs specifically identify with particular parts of the town,” writes Lage, “while other pieces simply fit into the overall concept and musical direction. The intention of the music is to encourage the listener, at every turn, to take a step towards the unknown….”
(read more here: Julian Lage official Facebook page)