Since her early years to her current success as a creative musician, Esperanza Spalding has charted her own course. The young bassist/vocalist/composer was one of the biggest breakout stars of 2011, garnering Best New Artist at the 53rd Grammy® Awards. This is unprecedented by a jazz musician, and Spalding continues to make the unprecedented her norm.
 
Spalding always strives to innovate her music, and has already reached numerous developments in her professional career. Her journey as a solo artist began with the 2006 release of Junjo, featuring pianist Aruán Ortiz and drummer Francisco Mela. She presented the various sides of her writing on Esperanza, her 2008 international debut recording, quickly topping Billboard’s Contemporary Jazz Chart and becoming that year’s best selling jazz album worldwide. Numerous awards and appearances followed, including an invitation by President Barack Obama to appear at both the White House and the Nobel Peace Prize Ceremony, performing at the 84th Academy Awards, and an appearance on the Late Show with David Letterman that found Letterman and bandleader Paul Shaffer proclaiming the young musician as the “coolest” guest in the program’s three-decade history.
 
Her experimental sketches continued with Chamber Music Society in 2010, joined by keyboardist Leo Genovese, drummer Terri Lyne Carrington, percussionist Quintino Cinalli, vocalists including legendary Milton Nascimento, and a string trio arranged by Gil Goldstein and Spalding. The album was another instant chart topper and gained multiple awards, earning her Grammy® for Best New Artist in 2011.
 
Maintaining her lifelong passion for new sounds and uncharted territory, the versatile Spalding has collaborated with musicians and artists from different styles and genres, including Wayne Shorter, Prince, Herbie Hancock, Corinne Bailey Mae, Bruno Mars, and Janelle Monáe.
 
Her latest recording, Radio Music Society, includes a mosaic array of musicians; jazz legends Joe Lovano, Jack DeJohnette and Billy Hart; hip-hop giant Q-Tip, Algebra Blessett, Lalah Hathaway, Gretchen Parlato and Lionel Loueke; Portland mentors Janice Scroggins and Thara Memory, as well as the horn section of Memory’s American Music Program ensemble. Spalding hopes this album can serve as a window for the musicians whom she loves and admires to reach the mainstream audience, as what they manifest “bring good into the lives of the people who hear them”.
 
Radio Music Society is another unprecedented chapter in the Esperanza Spalding story, as she continues on her journey of new musical horizons.
 
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Alan Hampton is a busy man. When he’s not on the road, playing bass and singing with Andrew Bird, Meshell N’Degeocello, Gretchen Parlato, and Robert Glasper, he might be in the studio, laying down tracks for Sufjan Stevens, Luke Temple, Derrick Hodge, Kendrick Scott, Esperanza Spalding, or The New Pornographers. But somehow, in between tours and takes, Hampton has also been steadily crafting his own sound. When Hampton released his debut record, The Moving Sidewalk, in 2011, The New York Times proclaimed him a musician with “loads of talent.” Now, after three years of touring, recording, and writing, his sophomore album, Origami for the Fire, is scheduled for release on November 4, 2014. (read full bio here)