Missy Mazzoli and Victoire

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About

Missy Mazzoli was recently deemed “one of the more consistently inventive, surprising composers now working in New York” (The New York Times), “Brooklyn’s post-millennial Mozart” (Time Out New York) and “one of the new wave of scarily smart young composers” (sequenza21.com). Her music has been performed all over the world by the Kronos Quartet, eighth blackbird, pianist Emanuel Ax, the American Composers Orchestra, JACK Quartet, New York City Opera, the Minnesota Orchestra, the Detroit Symphony, cellist Maya Beiser, violinist Jennifer Koh, pianist Kathleen Supové, Dublin’s Crash Ensemble, the Sydney Symphony and many others. She is currently Composer-in-Residence with Opera Philadelphia, Gotham Chamber Opera and Music Theatre-Group, and in 2011/12 was Composer/Educator in residence with the Albany Symphony. Missy was a visiting professor of music at New York University in 2013, and recently joined the composition faculty at the Mannes College of Music.
 
The 2014/15 season will include many new projects and collaborations, including a new work for the Ethel String Quartet, a performance on the New York Philharmonic’s CONTACT! Series, and the second release from Missy’s band Victoire – an album of her works recorded with Wilco percussionist Glenn Kotche and electronic musician Lorna Dune. Missy and Victoire will perform around the country next year in support of their new album, and will join Meredith Monk in a celebration of her work at Carnegie Hall. Along with librettist Royce Vavrek, Missy is also working on Breaking the Waves, a chamber opera based on Lars von Trier’s 1996 film, commissioned by Opera Philadelphia.Breaking the Waves will premiere in 2016.
 
Continue reading at missymazzoli.com…
 
VICTOIRE
This “all-star, all-female band” (Time Out New York) of voices, strings, keyboards, clarinets and electronics performs Mazzoli’s hypnotic blend of dreamy art pop and rich romanticism, enveloping the listener in a tapestry of classical influences, distorted guitars, multi-layered vocals, vintage keyboard sounds and stuttering samples. Victoire has performed all over the world, most recently at Carnegie Hall in a collaborative performance with Wilco drummer Glenn Kotche as part of the Ecstatic Festival. Their debut album Cathedral City, was named one of 2010′s best classical albums by the New York Times, Time Out New York, the New Yorker and NPR, and Pitchfork praised the group for “condensing moments of focused beauty and quiet conviction from the pandemic distractions of modern life. (7.8)” NPR’s First Listen asks “Is Victoire’s music post-rock, post-mimimalist or pseudo-post-pre-modernist indie-chamber-electronica? It doesn’t particularly matter. It’s just good music.” In the past few years they have played in venues all over the world including Carnegie Hall, the Brooklyn Academy of Music, the M.A.D.E. Festival in Sweden, the C3 Festival in Berlin, Millennium Park (Chicago), and the Winter Garden (New York, as part of the Bang-on-a-Can New Music Marathon). Victoire is Missy Mazzoli (compositions, keyboards), Mellissa Hughes (voice), Olivia De Prato (violin), Eileen Mack (clarinet), Lorna Krier (keyboards), and Eleonore Oppenheim (double bass).
 
Missy Mazzoli official site
Victoire official site
Lorna Krier official site

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