A Sunny Day in Glasgow began as a collaboration between friends Ben Daniels and Ever Nalens, both of whom had recently returned to Philadelphia after several years in the UK. The band name came from Nalens, who had been living in Glasgow, and Daniels kept it after Nalens left the project. In 2006, Daniels asked his twin sisters, Robin and Lauren, to start singing on the songs they had been working on. In March of that year the trio self-released The Sunniest Day Ever EP to great acclaim from college radio stations and blogs. Their debut release, Scribble Mural Comic Journal, came out February 2007 and received favorable reviews from Pitchfork and Drowned in Sound among others. Scribble Mural Comic Journal was recorded with one microphone in a bedroom in West Philly and pushed the boundaries of dream pop often drawing comparisons to My Bloody Valentine and Cocteau Twins. During the summer of 2007 the band toured the United States including in-studios on KEXP and Radio K and released a handmade tour only EP titled Tout New Age which was subsequently released as a digitally only EP. A year later the band emerged for a performance at the Whitney Museum as part of the Wordless Music Series and an in-studio performance on WNYC. A month later they toured across the UK and France which was celebrated with a string of 7”s coming out labels as varied as Slumberland, Disjuncture and Georgraphic North. Shortly following their tour, Ruined Potential released SMCJ in a limited edition on 180 gram double vinyl. Though only playing a few shows stateside after their European tour the band shared the stage with such luminaries as Telepathe, M83 and Asobi Seksu. During the fall of 2008 the group - now comprised of guitarist/drummer Josh Meakim and cellist/vocalist Annie Fredrickson - assembled in a dance studio space in rural New Jersey to record their sophomore album. Their new album, Ashes Grammar, expands on the dream pop themes of SMCJ and finds the band experimenting with recording techniques a la Alvin Lucier. Ashes Grammar will be released worldwide on Mis Ojos Discos on September 15, 2009 and will be available on a cd, as a download and on a limited edition double vinyl.

Listen to thir song "failure" here.

Download: A Sunny Day in Glasgow: "Hybrid Moments" (Misfits cover)

Listen to the "Shy (Ernest Gonzales Remix)" here.

Casino Versus Japan is the recording name for Erik Kowalski, a United States-based electronic musician who produces intelligent dance music (IDM for short).

As a young boy in Wisconsin he recorded episodes of television series Miami Vice, sampling Jan Hammer's music, later collecting them, and playing them over the backdrop of other musical genres. After a brief stint with model railroading such experiments with tape grew less obvious. Samples were collected from a range of sources, and eventually mixed with meagre homespun recordings. Later attending Lincoln High School in Manitowoc, Kowalski would often be found playing the grand piano in the empty auditorium rather than attending class, slowly teaching himself chord progressions. During this same period, he also learned the basics of other instruments including guitar and drums in an effort to put together simple songs. By then, other influences began to take hold.

Kowalski (recording guitar-based, ambient/experimental music as Radiogate in 1996 and 1997) found many creative peers and grew into an integrated underground electronic music community in Milwaukee, Wisconsin. His tenure at Atomic Records, along with writing for the alternative fanzine Milk Magazine, kept him informed on developments within many styles of innovative music. While being an avid music consumer and collector, all of these points became the ingredients of a dedicated music hobby that led to more focused and devoted recordings. In early 1998, he approached Mike Bailey of the local electronic label Star Star Stereo with some demo tapes, and shortly thereafter, released his self titled debut Casino Versus Japan. This subsequently led to live performances (including several dates opening for Low) with Charles Wyatt (Charles Atlas) accompanying Kowalski on guitar. In January 2000, Go Hawaii was released on CD by Wobblyhead (later on double-vinyl LP by City Centre Offices, 2001). By the summer of 2002, the track "It's Very Sunny" found itself in a Hummer television commercial, allowing his music to reach a far greater audience. His third album Whole Numbers Play the Basics, followed in September, 2002 on Carpark Records. The song "Manic Thru Tone" was used in MTV's "Choose Or Lose" campaign in the fall of 2002, capping off a busy year for the artist. In 2004, a collection of outtakes and unreleased tracks, Hitori + Kaiso 1998-2001, appeared, as well as a split EP with the California duo Freescha. A brand new LP is slated for 2009, along with several mini and collaborative releases.

Tycho is the music project of San Francisco-based artist Scott Hansen.Also known as graphic artist ISO50, Hansen's visual efforts closely echo his musical sentiments. Hansen's design work and blog can be found at ISO50.com

Check out their track "Coastal Break" here.

Shigeto is the moniker of Ann Arbor native Zachary Saginaw, who currently resides in Brooklyn. Shigeto’s sound can be described as forward-thinking electronic music, encompassing a range of genres, including IDM, Alt Hip Hop, Dubstep, and Ambient. Combining vivid textures and head-nod-inducing beats, his tracks paint an intoxicating picture that beckons listeners as if mysteriously transmitted from the future. A trained jazz percussionist, Shigeto’s live performance is as dynamic and immersive as his recorded material, weaving a unique instrumental thread to give his shows a visceral quality seldom seen in today’s live electronic acts.