$15
Audio / Video
Gallery
About This Event
Minimum Age:
18+Doors Open:
6:30 PMShow Time:
7:30 PMDescription:
This is a general admission event. Seating is limited and available on a first come, first seated basis. There is a two item minimum per person at all tables. Standing room is also available. We recommend arriving early.
LPR offers a membership program that guarantees members seating for future shows. Click here for more info.
LPR offers a membership program that guarantees members seating for future shows. Click here for more info.
Artists
Khaïra Arby and Her Band
Malians love her. Khaïra Arby (pronounced: Hī-ra Arbē), the Nightingale of the North, born in the village of Abaradjou in the Sahara Desert north of Timbuktu. Khaira’s parents came from different ethnic backgrounds, mother Songhai and father Berber. You can hear these cultures in her music; she sings in several languages. The instrumentation and rhythms are just as varied with electric guitar and bass, calabash, ngoni, traditional violin, and percussion creating a complex mixture of sound and structure. Some people compare the effect to the rhythms of the camel caravans crossing the Sahara.
To no one’s surprise, Khaïra won her first singing contest while just a schoolgirl and was chosen to represent Mali internationally. By the age of 22 Khaïra had made her first recording with the Orchestre Regional de Tombouctou and after a short time was invited to sing with the famous Orchestre Badema in Bamako. She continued to earn her stripes beside such Malian stars as her cousin, Ali Farka Touré and the widely influential Fissa Maïga. Since the 1990's Khaïra has focused all her energies on her music. With three albums in her own name and a fourth about to be released she is the Voice of Mali’s North.
Khaïra sings in the desert blues tradition and her music takes the listener on an audio journey across the essence of Mali and Tombouctou, a meeting of compass points, religions, cultures, past and present. She sings about love, peace, family and the lives of women. She expresses her pride in the history and struggles of her desert homeland and its people.
Khaïra lives in Timbuktu with her family. She performs at concerts and festivals throughout Mali and France. She has appeared several times with her band at the mythic Festival in the Desert in Essakane and at the Festival on the Niger River in Segou. In 2006 she was named a Chevalier de l'Ordre National du Mali.
To no one’s surprise, Khaïra won her first singing contest while just a schoolgirl and was chosen to represent Mali internationally. By the age of 22 Khaïra had made her first recording with the Orchestre Regional de Tombouctou and after a short time was invited to sing with the famous Orchestre Badema in Bamako. She continued to earn her stripes beside such Malian stars as her cousin, Ali Farka Touré and the widely influential Fissa Maïga. Since the 1990's Khaïra has focused all her energies on her music. With three albums in her own name and a fourth about to be released she is the Voice of Mali’s North.
Khaïra sings in the desert blues tradition and her music takes the listener on an audio journey across the essence of Mali and Tombouctou, a meeting of compass points, religions, cultures, past and present. She sings about love, peace, family and the lives of women. She expresses her pride in the history and struggles of her desert homeland and its people.
Khaïra lives in Timbuktu with her family. She performs at concerts and festivals throughout Mali and France. She has appeared several times with her band at the mythic Festival in the Desert in Essakane and at the Festival on the Niger River in Segou. In 2006 she was named a Chevalier de l'Ordre National du Mali.
The Mast 'CD Release Show'
The Brooklyn-based duo The Mast creates a propulsive and expansive sound featuring Haale's layered, undulating vocals and hypnotic electric guitar riffs dancing with Matt Kilmer's polyrhythmic drumming.
On their debut album "Wild Poppies" the lyrics are imagistic, worldly, and psychedelic, taking on a wide variety of topics from the insatiable desire for profit that's plaguing humanity, to the nectar-sipping, figure-eight flapping hummingbirds, to red poppies at the foot of a concrete, camera-encircled watchtower. Love, human evolution, and a sensual connection with the natural world also make the list. In "My All" Haale sings, "Walking through the marshes, the mud gives way like satin. Underwater grasses caress like the manes of lions."
Meanwhile, the seemingly eight-armed Matt Kilmer weaves a scintillating rhythmic tapestry with his hybrid drum set of frame drums, djembes, floor toms, and various cymbals. The interlocking guitar riffs and evocative vocals combine to create a sound that is at once danceable and deep, inventive and inviting, balancing wild abandon and focused control. While their sound is refreshingly unique, they give a nod to bands such as TV on the Radio, Tinariwen, PJ Harvey, and Blonde Redhead.
http://www.TheMastMusic.com
On their debut album "Wild Poppies" the lyrics are imagistic, worldly, and psychedelic, taking on a wide variety of topics from the insatiable desire for profit that's plaguing humanity, to the nectar-sipping, figure-eight flapping hummingbirds, to red poppies at the foot of a concrete, camera-encircled watchtower. Love, human evolution, and a sensual connection with the natural world also make the list. In "My All" Haale sings, "Walking through the marshes, the mud gives way like satin. Underwater grasses caress like the manes of lions."
Meanwhile, the seemingly eight-armed Matt Kilmer weaves a scintillating rhythmic tapestry with his hybrid drum set of frame drums, djembes, floor toms, and various cymbals. The interlocking guitar riffs and evocative vocals combine to create a sound that is at once danceable and deep, inventive and inviting, balancing wild abandon and focused control. While their sound is refreshingly unique, they give a nod to bands such as TV on the Radio, Tinariwen, PJ Harvey, and Blonde Redhead.
http://www.TheMastMusic.com