About This Event
Minimum Age:
18+Doors Open:
7:00 PMShow Time:
8:00 PMDescription:
"Long Live Père Ubu!" - The Spectacle is the concert version of Pere Ubu's
adaptation of Alfred Jarry's "Ubu Roi." It is a production without precedent. The
boundary between musical and dramatic performance is obliterated. The very
notion of what a rock band can and should achieve on stage is turned on its head.
David Thomas plays the parts of both Père and Mère Ubu. Members of the band
perform the music, choreography, as well as all dramatic roles. The staging is
framed by large screen projections of bespoke animations from legendary film-
makers The Brothers Quay. Songs from the production are released as a cd, "Long
Live Père Ubu!" (Hearpen Records) and available for download from hearpen.com
Read more about the spectacle over here
This is a first come seated event. Seating is limited and not guaranteed; please arrive early.
Read more about the spectacle over here
This is a first come seated event. Seating is limited and not guaranteed; please arrive early.
Artists
Performed By Pére Ubu
Pere Ubu make a music that is a disorienting mix of midwestern groove rock,
"found" sound, analog synthesizers, falling-apart song structures and careening
vocals. It is a mix that has mesmerized critics, musicians and fans for decades.
The band was formed as a studio project that drew on a body of musicians who
were involved in a Cleveland underground music scene that by August 1975
seemed to have run its course. The object of the band was to document the work
done and then go away. Within months, however, their first self-produced single
("30 Seconds Over Tokyo" / "Heart Of Darkness") was being snapped up in
London, Paris, Manchester, New York and Minneapolis. Pere Ubu was about to
change the face of rock music. For over 32 years they've defined the art of cult;
refined the voice of the outsider; and influenced the likes of Joy Division, Pixies,
Husker Du, Henry Rollins, REM, the Sisters of Mercy, Thomas Dolby, Bauhaus,
Julian Cope and countless others. See http://www.ubuprojex.net/pereubu.html
Animations by The Brothers Quay
The extraordinary Quay Brothers are two of the world’s most original filmmakers. Identical twins who were born in Pennsylvania in 1947, Stephen and Timothy Quay studied illustration in Philadelphia before going on to the Royal College of Art in London, where they started to make animated shorts in the 1970s. They have lived in London ever since, making their unique and innovative films under the aegis of Koninck Studios.
Influenced by a tradition of Eastern European animation, the Quays display a passion for detail, a breathtaking command of color and texture, and an uncanny use of focus and camera movement that make their films unique and instantly recognizable. Best known for their classic 1986 film STREET OF CROCODILES, which filmmaker Terry Gilliam recently selected as one of the ten best animated films of all time, they are masters of miniaturization and on their tiny sets have created an unforgettable world, suggestive of a landscape of long-repressed childhood dreams. In 1994, with INSTITUTE BENJAMENTA, they made their first foray into live-action feature-length filmmaking.
The Quays have also directed pop promos for His Name is Alive, Michael Penn, Sparklehorse, 16 Horsepower, and Peter Gabriel (contributing to his celebrated “Sledgehammer” video), and have also directed ground-breaking commercials for, among others, MTV, Nikon, Murphy’s beer and Slurpee.
The Quays’ work also includes set design for theatre and opera. In 1998 their Tony-nominated set designs for Ionesco’s The Chairs won great acclaim on Broadway.
In 2000 they made IN ABSENTIA, an award-winning collaboration with Karlheinz Stockhausen, as well as two dance films, DUET and THE SANDMAN. In 2002 they contributed an animated dream sequence to Julie Taymor’s film FRIDA.
In 2003 the Quays made four short films in collaboration with composer Steve Martland for a live event at the Tate Modern in London (read about the collaboration in The Guardian) and in 2005 premiered their second feature film, THE PIANO TUNER OF EARTHQUAKES, at the Locarno Film Festival.
Influenced by a tradition of Eastern European animation, the Quays display a passion for detail, a breathtaking command of color and texture, and an uncanny use of focus and camera movement that make their films unique and instantly recognizable. Best known for their classic 1986 film STREET OF CROCODILES, which filmmaker Terry Gilliam recently selected as one of the ten best animated films of all time, they are masters of miniaturization and on their tiny sets have created an unforgettable world, suggestive of a landscape of long-repressed childhood dreams. In 1994, with INSTITUTE BENJAMENTA, they made their first foray into live-action feature-length filmmaking.
The Quays have also directed pop promos for His Name is Alive, Michael Penn, Sparklehorse, 16 Horsepower, and Peter Gabriel (contributing to his celebrated “Sledgehammer” video), and have also directed ground-breaking commercials for, among others, MTV, Nikon, Murphy’s beer and Slurpee.
The Quays’ work also includes set design for theatre and opera. In 1998 their Tony-nominated set designs for Ionesco’s The Chairs won great acclaim on Broadway.
In 2000 they made IN ABSENTIA, an award-winning collaboration with Karlheinz Stockhausen, as well as two dance films, DUET and THE SANDMAN. In 2002 they contributed an animated dream sequence to Julie Taymor’s film FRIDA.
In 2003 the Quays made four short films in collaboration with composer Steve Martland for a live event at the Tate Modern in London (read about the collaboration in The Guardian) and in 2005 premiered their second feature film, THE PIANO TUNER OF EARTHQUAKES, at the Locarno Film Festival.