Cecilia Bartoli's "Sacrificium" Film Screening
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About
For more than two decades, Cecilia Bartoli has undeniably been one of the leading artists in the field of classical music. All over the world, her new operatic roles, her concert programs and recording projects – in exclusivity with Decca - are expected with great eagerness and curiosity.
The exceptional amount of 8 million CDs sold, more than 100 weeks ranking in the international pop charts, numerous Golden Discs, 4 Grammys (USA), 8 Echos and a Bambi (Germany), two Classical Brit Awards (UK), the Victoire de la Musique (France) and many other prestigious awards reflect the immense success of her solo albums "Vivaldi", "Gluck", "Salieri" and "Opera proibita" and that she is firmly established as today’s "best selling classical artist".
Thus, Cecilia Bartoli brings Classical Music close to the hearts of millions of people throughout the world. Apart from that, she is proud that through their popularity, her projects have caused a wide-spread re-evaluation and rediscovery of the neglected composers and forgotten repertoire which she puts up for discussion.
It is not surprising that Herbert von Karajan, Daniel Barenboim and Nikolaus Harnoncourt were among the first conductors Cecilia Bartoli worked with. They noticed her talent at a very early stage when she had barely completed her vocal studies with her parents in her home-town Rome.
Since then, many further conductors, pianists and orchestras of highest renown have been her regular partners. In recent years, her work has begun to focus on collaborations with the most significant period instrument orchestras (Akademie für Alte Musik, Les Arts Florissants, Concentus Musicus Wien, Freiburger Barockorchester, Il Giardino Armonico, Kammerorchester Basel, Les Musiciens du Louvre, Orchestra of the Age of Enlightenment, Orchestra La Scintilla). Projects with orchestras where Cecilia Bartoli assumes the overall artistic responsibility have become increasingly important to her and were crowned by the jointly developed and performed programmes with the Vienna Philharmonic Orchestra.
The ‘Sacrificium’ project will tell the story of the castrati in all its complexity; its beauty, glamour, controversy and cruelty. The album focuses on the Neapolitan school, which produced superstar castrati including Farinelli and Caffarelli.
‘The age of the castrati’ inspired some of the most virtuosic repertoire ever written for the human voice; elaborate coloratura showpieces and beautiful slow arias, written for the extraordinary vocal abilities of the leading castrati.
Following the international success of Opera Proibita, Cecilia Bartoli uncovers more lost jewels of baroque music, with an album almost entirely composed of World Premiere recordings. For the first time since their record-breaking Vivaldi Album, Cecilia Bartoli is reunited with leading Italian period instrument ensemble Il Giardino Armonico and their director Giovanni Antonini.
Artist Website
The exceptional amount of 8 million CDs sold, more than 100 weeks ranking in the international pop charts, numerous Golden Discs, 4 Grammys (USA), 8 Echos and a Bambi (Germany), two Classical Brit Awards (UK), the Victoire de la Musique (France) and many other prestigious awards reflect the immense success of her solo albums "Vivaldi", "Gluck", "Salieri" and "Opera proibita" and that she is firmly established as today’s "best selling classical artist".
Thus, Cecilia Bartoli brings Classical Music close to the hearts of millions of people throughout the world. Apart from that, she is proud that through their popularity, her projects have caused a wide-spread re-evaluation and rediscovery of the neglected composers and forgotten repertoire which she puts up for discussion.
It is not surprising that Herbert von Karajan, Daniel Barenboim and Nikolaus Harnoncourt were among the first conductors Cecilia Bartoli worked with. They noticed her talent at a very early stage when she had barely completed her vocal studies with her parents in her home-town Rome.
Since then, many further conductors, pianists and orchestras of highest renown have been her regular partners. In recent years, her work has begun to focus on collaborations with the most significant period instrument orchestras (Akademie für Alte Musik, Les Arts Florissants, Concentus Musicus Wien, Freiburger Barockorchester, Il Giardino Armonico, Kammerorchester Basel, Les Musiciens du Louvre, Orchestra of the Age of Enlightenment, Orchestra La Scintilla). Projects with orchestras where Cecilia Bartoli assumes the overall artistic responsibility have become increasingly important to her and were crowned by the jointly developed and performed programmes with the Vienna Philharmonic Orchestra.
The ‘Sacrificium’ project will tell the story of the castrati in all its complexity; its beauty, glamour, controversy and cruelty. The album focuses on the Neapolitan school, which produced superstar castrati including Farinelli and Caffarelli.
‘The age of the castrati’ inspired some of the most virtuosic repertoire ever written for the human voice; elaborate coloratura showpieces and beautiful slow arias, written for the extraordinary vocal abilities of the leading castrati.
Following the international success of Opera Proibita, Cecilia Bartoli uncovers more lost jewels of baroque music, with an album almost entirely composed of World Premiere recordings. For the first time since their record-breaking Vivaldi Album, Cecilia Bartoli is reunited with leading Italian period instrument ensemble Il Giardino Armonico and their director Giovanni Antonini.